Open Eye Quartet 20th May

Some great video above from Open Eye gig opening for John Butcher & Okkyung Lee last Friday. Thanks to Dave J. for that.

Also a nice little write up from Daniel Ladd @ citylifer. You can read the whole thing here.

The pictures below are thanks to some fine camera work by Peter Fey.

Having seen PWHMOBS a few times previously, I had some expectations of what the OEQ might be like tonight. Nichols uses (a small set of) drums and effects on his voice as percussion and Jones plays flute, gong and effects. These are all in evidence, along with Birchall contorting over his guitar, scraping, sliding, tapping and drawing some very unusual sounds from the strings. The bass meanders beneath all this, being the most recognisable element of the set up, in that the sounds it made were conventionally that of a bass guitar, but not in the sense that it provided any standard rhythmic underpinning.

The music builds and fades throughout the course of one continuous thirty minute piece. At moments the sounds are genuinely uncomfortable and overwhelming, but the time spent on these elements is well judged, lasting only long enough to create the required tension which is immediately followed by the sounds dissolving and providing the release which became all the more memorable and enjoyable.

The sounds could be cacophonous enough to catch your breath but the quartet never seemed like they were out of control. At other times a particularly sweet sounding element is drawn from one of the instruments and, in this context, stands out as particularly lovely (this could just be Birchall hitting a certain notes on his guitar, or Jones running with a short flowing piece on the flute followed by swinging a small set of chimes around her head.

 

28th May

28th May

VOM (Glasgow)
Rhythmic sub-bass churn, twisted and devastating guitar battery/mangle. LOUD, ROCKING head music that is at once disgusting and deeply compelling.
http://www.myspace.com/vommusik

PYRAMIDION (Glasgow)
Hypnotic pysch jams from members of Moon Unit, Nackt Insecten…
http://soundcloud.com/pyramidion

ANDREW CHEETHAM & DAVID BIRCHALL (Manchester)
Free rock drone improv drum and guitar duo
https://davidmbirchall.wordpress.com/

@ Gullivers, Oldham St, Manchester

Rhys Chatham G3 @ Islington Mill

Rhys Chatham (guitar) Ed Troupe (bass) Andrew Cheetham (drums) Nick Mitchell (guitar) Tom Settle (guitar)  Jon Collin (guitar) Rick Tomlinson (guitar)  Adam Denton (guitar) Dave Birchall (guitar) Cian Nugent (guitar) Alan Doherty (guitar)

26th March 2011

Tubers Music Presents:

Aural Detritus

(Brighton/Bristol)

Simon Whetham: Laptop & Field Recordings

Daniel Jones: Turntable & Contact Mics

Paul Khimasia Morgan: Objects & Abrasion

Grew Quartet

(Lancaster/Manchester/Sheffield)

Stephen Grew: Piano

Mick Beck: Saxophone

Phil Marks: Percussion

David Birchall: Guitar

@ St. Margarets Church, Rufford Road/Whalley Road, Whalley Range, Manchester, M16

8pm £5 waged/£4 unwaged

Post-apocalyptic instrument number 1 and/or “Trumpetar”

Got a little bit of inspiration looking at Jethro Brice’s excellent blog http://futuremuseum.wordpress.com/ the other day. Its an investigation of some our not so smart current uses of resources looked back on from two centuries in the future as well as imaginings of some immediate post-apocalyptic responses to environmental/political meltdown.

It set me off thinking about what kind of guitar/string instruments would be in circulation in this kind of world: obviously mass produced high/low quality instruments would disappear fairly quickly. There would still be some craft masters working but the majority of string instruments would be home made from whatever materials happened to be at hand; this kindof practice has been pretty continuous amongst African guitar players.

So I set myself the task to make an instrument by reusing stuff that was just lying round the house. The couple of conditions I set were that it should sound reasonable as an acoustic instrument so as not to rely on electricity and that only a couple of hours should be spent in its construction to keep it as DIY and rough and ready as possible.

Hear the result here:

Parts used:

biscuit tin

sawn off trumpet end

half a cello bridge

3 machine heads

nails

gaffa tape

wooden blocks

strings

2 empty batteries