Onsite Review 33

Really happy to have some of my sound drawings published in issue 33 of Canadian architecture journal Onsite Review. They have just published a great issue with the theme of ‘land’ as the focus. The drawings are from a white ink on black paper series attempting to record sound both graphically in an expressive way, literally with words and with words as subtitues for the graphic. I made them in and around the surburb of Leicester I grew up in, a friends garden in Skipton just on the edge of the North Yorkshire moors and on a very misty and wet walk overlooking Mam Tor in Edale, Derbyshire.

You can see the articles online here http://www.onsitereview.ca/33onland

Improv Analysis

Had some great fun on working on a improv analysis for Rodrigo Constanzo as part of his PHD work the last week or so. Below is one of the pieces on video I made a break down of:

If you go here you can see the amazing breakdown of events and methods to analysis your thinking while improvising Rod has set up: http://rodrigoconstanzo.com/analyses/?q=david2

Quite amazing for me as an improvisor to go through a shot piece of playing (the example above is only 2:36 mins) and examine each and every detail of what I’m doing. Often more than more thing concurrently; but also the most intriguing part on watching it back to make the notes was how much every single choice and potential choice (non and or considered and rejected choices if you like) are present in my body movements even if they never develop into sounds.

Noise Orchestra Residency

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Started work this week on a new residency with Vicky Clarke as Noise Orchestra at The National Media Museum in Bradford. We’e going to be exploring relationships between light, sound, movement and electricity. We’l be in gallery 2 on Mondays, Wednesdays and Saturdays from now until the final performance on 31st October.

https://noiseorchestra.wordpress.com/

https://twitter.com/OrchestraNoise

Scenes from the site of the former Gas Works on Whitworth Street West.

scenes from the site of the former Gas Works on Whitworth Street West.

Scene 1

P and S are standing under an archway which is blocked at the back by a black brick wall. The archway is one of many making a bridge over the city centre on which trains pass overhead. The wall reaches to just over head height. The street is above them behind a low barrier and you can see people walking by. Behind them is carpark.

P is wearing a rubber mask and has a cigar in his mouth. S has half a clarinet in his mouth.

They make an exhaling sound together and stop.

S squats down and fiddles about on the floor. P joins him and picks up a fork which he scrapes on the black brick wall as S plays the clarinet.

P stops and tries to light his cigar with the fork. He can’t see properly because of the mask. S blows a note from the clarinet in his face.

A sleight of hand. The fork is now a lighter. P offers it to S. S stops playing the clarinet and tries to light the cigar.

Sound of flint sparking repeatedly.

S raises collar of jacket to shield the lighter from the wind. S gives the lighter back and starts playing the clarinet again. P offers him the lighter. S stops and tries to light it again. P shouts. S starts playing the clarinet. P tries to light the cigar. S pulls out a straw and plays this making a kazoo sound. The cigar is now lit and the two face each other each with an appendage, straw and cigar in their mouths. P smokes furiously at S while S blows the kazoo straw at P.

S picks up the clarinet again raises it to a 45 degree angle and blows a note. P pulls it out of his mouth.

S pulls out the straw again and starts to blow at a 45 degree angle. P pulls it out his mouth.

S pulls out a Chinese mini clapper drum and starts to play it. P pulls it out his hands and runs down some steps leading away from the arch.

He stops. S runs up behind him brandishing a record and tries break over his head but P runs away as S brings it down. S chases P into the distance along the length of the bridge. P turns the corner at the end. S doesn’t see this and hides behind the last corner with the record raised thinking P will double back.

P makes a honking sound as he appears on the street level above and the two run parallel back to the original archway. P climbs down and S shatters the record over his head.

Scene 2

Access to the arch is blocked off by black fencing about 10 feet tall. There are slats so you can look through. On the fence is a sign that says “CCTV in operation” Looking through the fence you can see the arch with steps and the black brick wall. There are wooden pallets, plastic wrapping, green and blue bins filled with rubbish, a cone, one of those metal security barriers and one of those orange barriers they use in roadworks piled up in the archway. Looking down the length of the bridge you can see a newly concreted yard with someone’s moped at the end where another security fence stands. To the left is a 4 storey grey glass and concrete structure. A taller building lies just beyond a similar structure which is red.

Access from the other side is also blocked off with a metal fence about 10 feet tall which has the motif “1stst” cut out of the metal at regular intervals. Looking in you can see the archways and a newly concreted yard as on the other side. There is some cardboard packaging leaning against the side of the nearest arch.

Tubers MiniFestival 2nd May!

Really excited about this day of music and sound I’ve put together!

tubersmusic's avatartubersmusic

may 2nd

Bark! (Copenhagen/Halifax/London)
http://www.barktrio.com/

Cathy Heyden (Paris) & Rogier Smal (Amsterdam)
http://cathy.heyden.free.fr/
http://rogiersmal.blogspot.co.uk/

Rosanne Robertson (Todmorden)
http://rosannerobertson.com/

Vitalija Glovackyte (Manchester)/Joe Snape (Birmingham/Berlin) – Joint Set
https://soundcloud.com/vitaglovackyte
http://joesna.pe/

Han-Earl Park (Cork)/Dominic Lash (Bristol)/Corey Mwamba (Derby)
http://www.busterandfriends.com/
http://dominiclash.blogspot.co.uk/
http://www.coreymwamba.co.uk/

Ortho Stice (Manchester/Macclesfield)

https://www.facebook.com/events/1072553272770965

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Chaos to Order; The Echo Trace

Echo TraceReally happy to be doing some work on the Chaos to Order: Echo Trace project from Brighter Sound. The  name of the project is inspired by the delay and peculiar way sound spreads through the central library reading room in Manchester which is one of my favourite acoustic spaces in the city; round and domed, sound can be passed from one side of the room to the other across the arc of the dome or dropped into the cavernous reverb in the centre. Currently I’m helping out the Noise Upstairs on the Owl Project’s Residency in Withington Libary running an improv element to the workshops there but there”ll have some news about the project I’m working on at the Forum Library in Wythenshawe soon too.

http://www.brightersound.com/young-people/echo-trace-withington-library/

Quietus review of “I didn’t mind you improvising, I just wish you’d done it better”

Thoughtful review of the tape that came out recently on Tombed Visions featuring myself, Sam Andreae and Andrew Cheetham.

“In many ways, a guitar-sax-drums trio is the most liberated improvising lineup possible. Forty five years on from Derek Bailey, Han Bennink and Evan Parker’s seminal freeform blowout The Topography Of The Lungs (which, incidentally, was reissued by Otoroku at the end of last year), it’s clear the possibilites of the setup have still barely been breached. This recording of tenor saxophonist Sam Andreae, electric guitarist David M Birchall, and drummer Andrew Cheetham reopens that door once kicked by Topography Of the Lungs (coincidentally, the panning and general sound is almost identical on both records – guitar on the left, drums in the centre, sax on the right, all crystal clear and clean), and across four dynamic improvisations, the trio cross swords, hold hands and generally go nuts in an often brutally feral jam session. Opener ‘Eric Frohm Where’ builds crunchy guitar drones and sax blasts into a gathering storm which erupts as the stunning Cheetham kicks into action. A calming eye of the storm passes over, before a maddening climax throughout its twelfth minute more akin to some Napalm Death face smasher than any Coltrane shit (including that Live In Japan album). Mimicry is a theme throughout, and when one considers the atonality of Cheetham’s percussion, it’s no surprise this leads to some pretty weird parps and scrapes from guitar and sax. ‘Post Nasal Space’ is mostly sparse and skittering, while ‘Dude You Look Like Sea Sick Steve’ blasts right in our face, as wave upon wave of snare rolls underpin an increasingly similar guitar and sax. The musicianship is typically inventive and stunning, but more uniquely like Topography Of the Lungs, this trio seem to have evolved their own logic, evoking stark imagery through what sounds like total and utter chaos.”

http://thequietus.com/articles/17219-spool-out-cassete-tape-reviews-2015

Tour with Javier Saso

20150127_195043I’m going to be on the road next week playing some dates with Javier Saso from Madrid. The first 4 will be with our touring buddies Trans/Human.

February 3rd w/ Javier Saso + Trans/Human + Mariam Rezaei/Zasso Fukei + Shelley Knotts/Holger Ballweg @ The Old Police Station, Gateshead

February 4th w/ Javier Saso + Trans/Human @ Fuse Gallery, Bradford

February 5th w/ Javier Saso + Trans/Human + Lovely Honkey + Adult Mags @ Audacious Space, Sheffield

February 6th w/Javier Saso + Trans/Human + Sam Andreae/Lisa Ullen/Dom Lash @ St Margaret’s Church, Manchester

February 7th w/Javier Saso + Nick Jonah Davis/Jo Cormack + Tepeu y Q’uq’umatz @ Chameleon, Nottingham

February 8th Sam Andreae/Andrew Cheetham/David Birchall/ Javier Saso + Roland Ramanan 10tet @ Lume, Vortex, London